Directorial License and the Staging of French Baroque Opera
Flying phantoms and tumbling faunes: acrobats on the French Baroque musical stage
Les Nuits enchantées de Sceaux
Gods behaving badly and men behaving monstrously in Molière’s classical comedies
Paradoxes of Sexuality in Dryden's Amphitryon
Monstrous performances
Dances for Deities in Lully's Persée 1682-1710
Cross-Casting in French Court Ballet, 1650-1670: Monstrous Aberration or Theatrical Convention?
Sexually Subversive Singers: Policing Sex at the London Opera, 1724-36
Déesse ex machina: Sex changes in Benserade's Iphis et Iante (1634)
Man-made monsters, men made monstrous: conformity and deformity in Aphra Behn's The Second Part of The Rover
‘Behold the monster Polypheme’: Handel's incorporation of the monstrous